<?xml version="1.0" encoding="UTF-8"?>
<collection xmlns="http://www.loc.gov/MARC21/slim">
 <record>
  <leader>     caa a22        4500</leader>
  <controlfield tag="001">445375809</controlfield>
  <controlfield tag="003">CHVBK</controlfield>
  <controlfield tag="005">20180317143002.0</controlfield>
  <controlfield tag="007">cr unu---uuuuu</controlfield>
  <controlfield tag="008">170323e20110801xx      s     000 0 eng  </controlfield>
  <datafield tag="024" ind1="7" ind2="0">
   <subfield code="a">10.1007/s11212-011-9144-0</subfield>
   <subfield code="2">doi</subfield>
  </datafield>
  <datafield tag="035" ind1=" " ind2=" ">
   <subfield code="a">(NATIONALLICENCE)springer-10.1007/s11212-011-9144-0</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
   <subfield code="a">Steinby</subfield>
   <subfield code="D">Liisa</subfield>
   <subfield code="u">Department of Comparative Literature, University of Turku, Kaivokatu 12, 20014, Turku, Finland</subfield>
   <subfield code="4">aut</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="0">
   <subfield code="a">Hermann Cohen and Bakhtin's early aesthetics</subfield>
   <subfield code="h">[Elektronische Daten]</subfield>
   <subfield code="c">[Liisa Steinby]</subfield>
  </datafield>
  <datafield tag="520" ind1="3" ind2=" ">
   <subfield code="a">In this article, Bakhtin's early aesthetics is reread in the context of Hermann Cohen's system of philosophy, especially his aesthetics. Bakhtin's thinking from the early ethical writing Toward a Philosophy of Act to Author and Hero in Artistic Activity and Problems of Dostoevsky's Poetics is followed. In Author and Hero, an individual is in his life conceived as involved in cognitive and ethical action but as remaining without a consummative form; the form, or the ‘soul', is bestowed upon a person by the creative activity of the artist alone. In his understanding of artistic creativity and the relationship between the ‘hero' and the author, Bakhtin closely follows Cohen, with the exception that for Cohen the object of artistic form-giving is the universal, idealized man, whereas for Bakhtin it is an individual. In the concept of a ‘polyphonic novel' as developed in Problems of Dostoevsky's Poetics, Bakhtin, however, considers this view of the activity of the artist (or the novelist) to apply to the &quot;traditional” novel only, while in a Dostoevskyean novel the characters are not subordinated to any defining power of the author. Bakhtin's theory of the Dostoevskyean novel is thus a return to the emphasis of the cognitive and ethical autonomy of the individual. His understanding of the encounter between persons as a ‘subject'—‘subject' or an ‘I'—‘thou' relation has a predecessor, among others, in Cohen.</subfield>
  </datafield>
  <datafield tag="540" ind1=" " ind2=" ">
   <subfield code="a">Springer Science+Business Media B.V., 2011</subfield>
  </datafield>
  <datafield tag="690" ind1=" " ind2="7">
   <subfield code="a">Bakthin</subfield>
   <subfield code="2">nationallicence</subfield>
  </datafield>
  <datafield tag="690" ind1=" " ind2="7">
   <subfield code="a">Cohen</subfield>
   <subfield code="2">nationallicence</subfield>
  </datafield>
  <datafield tag="690" ind1=" " ind2="7">
   <subfield code="a">Aesthetics</subfield>
   <subfield code="2">nationallicence</subfield>
  </datafield>
  <datafield tag="690" ind1=" " ind2="7">
   <subfield code="a">Philosophy of ‘thou'</subfield>
   <subfield code="2">nationallicence</subfield>
  </datafield>
  <datafield tag="773" ind1="0" ind2=" ">
   <subfield code="t">Studies in East European Thought</subfield>
   <subfield code="d">Springer Netherlands</subfield>
   <subfield code="g">63/3(2011-08-01), 227-249</subfield>
   <subfield code="x">0925-9392</subfield>
   <subfield code="q">63:3&lt;227</subfield>
   <subfield code="1">2011</subfield>
   <subfield code="2">63</subfield>
   <subfield code="o">11212</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
   <subfield code="u">https://doi.org/10.1007/s11212-011-9144-0</subfield>
   <subfield code="q">text/html</subfield>
   <subfield code="z">Onlinezugriff via DOI</subfield>
  </datafield>
  <datafield tag="908" ind1=" " ind2=" ">
   <subfield code="D">1</subfield>
   <subfield code="a">research-article</subfield>
   <subfield code="2">jats</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">NATIONALLICENCE</subfield>
   <subfield code="P">856</subfield>
   <subfield code="E">40</subfield>
   <subfield code="u">https://doi.org/10.1007/s11212-011-9144-0</subfield>
   <subfield code="q">text/html</subfield>
   <subfield code="z">Onlinezugriff via DOI</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">NATIONALLICENCE</subfield>
   <subfield code="P">100</subfield>
   <subfield code="E">1-</subfield>
   <subfield code="a">Steinby</subfield>
   <subfield code="D">Liisa</subfield>
   <subfield code="u">Department of Comparative Literature, University of Turku, Kaivokatu 12, 20014, Turku, Finland</subfield>
   <subfield code="4">aut</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">NATIONALLICENCE</subfield>
   <subfield code="P">773</subfield>
   <subfield code="E">0-</subfield>
   <subfield code="t">Studies in East European Thought</subfield>
   <subfield code="d">Springer Netherlands</subfield>
   <subfield code="g">63/3(2011-08-01), 227-249</subfield>
   <subfield code="x">0925-9392</subfield>
   <subfield code="q">63:3&lt;227</subfield>
   <subfield code="1">2011</subfield>
   <subfield code="2">63</subfield>
   <subfield code="o">11212</subfield>
  </datafield>
  <datafield tag="900" ind1=" " ind2="7">
   <subfield code="a">Metadata rights reserved</subfield>
   <subfield code="b">Springer special CC-BY-NC licence</subfield>
   <subfield code="2">nationallicence</subfield>
  </datafield>
  <datafield tag="898" ind1=" " ind2=" ">
   <subfield code="a">BK010053</subfield>
   <subfield code="b">XK010053</subfield>
   <subfield code="c">XK010000</subfield>
  </datafield>
  <datafield tag="949" ind1=" " ind2=" ">
   <subfield code="B">NATIONALLICENCE</subfield>
   <subfield code="F">NATIONALLICENCE</subfield>
   <subfield code="b">NL-springer</subfield>
  </datafield>
 </record>
</collection>
