caa a22 4500 463165349 CHVBK 20180406164759.0 cr unu---uuuuu 170326e20070301xx s 000 0 eng 10.1007/s11007-007-9048-3 doi (NATIONALLICENCE)springer-10.1007/s11007-007-9048-3 Kuhlken Julie Concordia University, 3400 1H 35 N, Austin, TX, USA aut The exemplarities of artworks: Heidegger, Shoes , and Pixar [Elektronische Daten] [Julie Kuhlken] Heidegger's essays "The Origin of the Work of Art” and "The Question Concerning Technology” provide a revealing insight into the importance of exemplarity to artworks. Originally the notion that exemplarity is essential to art is Kantian: As Kant puts it, since originality can produce "original nonsense, [beautiful art's] products must be models, i.e. exemplary.” However, what Heidegger recognizes is that even if exemplarity allows us to take art seriously in spite of its excesses, it exposes the artwork to new dangers: on the one hand, to the "world withdrawal of the work” as occurs in consignment to the museum shelf, and on the other, to the conditions of Enframing as "challenging-forth,” under which art is taken as a means to an end—dangers which point to the division of artworks between "fine” art and "popular” art. Since Heidegger's approach favors the former, we will try to gain new critical insight by considering his arguments in the light of a "popular” work that allows us to formulate an exemplarity of popular art as the necessary complement to that of traditional art. By means of an understanding of the exemplarities (in the plural) of artworks, we will be able to reconsider the significance of Heidegger's notions of reliability, Enframing, and poiesis for our current technological conditions. Springer Science+Business Media, Inc., 2007 Philosophy of art nationallicence Philosophy of technology nationallicence Popular culture nationallicence Continental Philosophy Review Kluwer Academic Publishers 40/1(2007-03-01), 17-30 1387-2842 40:1<17 2007 40 11007 https://doi.org/10.1007/s11007-007-9048-3 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1007/s11007-007-9048-3 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Kuhlken Julie Concordia University, 3400 1H 35 N, Austin, TX, USA aut NATIONALLICENCE 773 0- Continental Philosophy Review Kluwer Academic Publishers 40/1(2007-03-01), 17-30 1387-2842 40:1<17 2007 40 11007 Metadata rights reserved Springer special CC-BY-NC licence nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-springer