caa a22 4500 463200497 CHVBK 20180405153111.0 cr unu---uuuuu 170326e20070401xx s 000 0 eng 10.1007/s11061-006-9009-9 doi (NATIONALLICENCE)springer-10.1007/s11061-006-9009-9 Berendse Gerrit-Jan School of European Studies, Cardiff University, 65-68 Park Place, CF10 3AS, Cardiff, UK aut Spiele der Revolte: Karl Mickel und die konspirative Poetik der Sächsischen Dichterschule [Elektronische Daten] [Gerrit-Jan Berendse] In the light of the rigid yet outdated doctrine of Socialist Realism any literary text and work of art that did not wish to assimilate was met by suspicion. The poets who started their careers in the German Democratic Republic in the mid-1960s were very much aware of the guidelines set out for the arts by the State. The so-called Sächsische Dichterschule countered the pillars of Socialist Realism by travestying them. In particular the authors targeted the concept of comprehensibility. Karl Mickel (1935-2000) specialised in questioning the State sponsored aesthetics by introducing a set of Surrealist poetics. This essay will investigate the different subversive expressions in Mickel's writings. It will be argued that the poet applied literary ways the Sächsische Dichterschule adopted in the 1960s and 70s for undermining monosemia. Springer Science+Business Media, Inc., 2007 Neophilologus Kluwer Academic Publishers 91/2(2007-04-01), 281-298 0028-2677 91:2<281 2007 91 11061 https://doi.org/10.1007/s11061-006-9009-9 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1007/s11061-006-9009-9 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Berendse Gerrit-Jan School of European Studies, Cardiff University, 65-68 Park Place, CF10 3AS, Cardiff, UK aut NATIONALLICENCE 773 0- Neophilologus Kluwer Academic Publishers 91/2(2007-04-01), 281-298 0028-2677 91:2<281 2007 91 11061 Metadata rights reserved Springer special CC-BY-NC licence nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-springer