caa a22 4500 467895465 CHVBK 20180406152802.0 cr unu---uuuuu 170328e20060101xx s 000 0 eng 10.1007/s00146-005-0005-6 doi (NATIONALLICENCE)springer-10.1007/s00146-005-0005-6 Seck Langill Caroline Teaching Faculty, Integrated Media Ontario College of Art and Design, 100 McCaul Street, M5T 1W1, Toronto, ON, Canada aut Negotiating the hybrid: art, theory and genetic technologies [Elektronische Daten] [Caroline Seck Langill] Over the past decade artists have increasingly turned to science in order to investigate technology's effect. The move from hardware-based technologies to live organisms as media, raises ethical issues that the broader art community is addressing. This paper tracks the history of instrumental disengagement to determine when and how the gradual codification of life contributed to the eventual use of live organisms in art practice. Springer-Verlag London Limited, 2005 Animals nationallicence Ethics nationallicence Genetics nationallicence Hybrid nationallicence Instrumental reason nationallicence Post-humanity nationallicence AI & SOCIETY Springer-Verlag 20/1(2006-01-01), 49-62 0951-5666 20:1<49 2006 20 146 https://doi.org/10.1007/s00146-005-0005-6 text/html Onlinezugriff via DOI 1 brief-communication jats NATIONALLICENCE 856 40 https://doi.org/10.1007/s00146-005-0005-6 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Seck Langill Caroline Teaching Faculty, Integrated Media Ontario College of Art and Design, 100 McCaul Street, M5T 1W1, Toronto, ON, Canada aut NATIONALLICENCE 773 0- AI & SOCIETY Springer-Verlag 20/1(2006-01-01), 49-62 0951-5666 20:1<49 2006 20 146 Metadata rights reserved Springer special CC-BY-NC licence nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-springer