caa a22 4500 467898219 CHVBK 20180406152810.0 cr unu---uuuuu 170328e20060201xx s 000 0 eng 10.1007/s10708-006-0008-y doi (NATIONALLICENCE)springer-10.1007/s10708-006-0008-y Lowenthal David Professor Emeritus, Department of Geography, University College London, 26 Bedford Way, London, WC1H OAP, UK aut From harmony of the spheres to national anthem: Reflections on musical heritage [Elektronische Daten] [David Lowenthal] Western classical music was long distinctive among the arts for its universality and catholicity. From Greek antiquity on, music uniquely reflected Orphic, mystic, celestial feeling, And unlike painting, architecture, or literature, the standard musical canon came to be breathtakingly inclusive over time as well as space. Yet in recent centuries music has increasingly celebrated national patriotism and period particularism. This essay traces the histories of these antithetical expressive urges, the one universalistic, transcendental, atemporal, the other chauvinist, parochial, historicist. Springer, 2006 heritage nationallicence nationalism nationallicence particularism nationallicence universalism nationallicence Western music nationallicence GeoJournal Kluwer Academic Publishers 65/1-2(2006-02-01), 3-15 0343-2521 65:1-2<3 2006 65 10708 https://doi.org/10.1007/s10708-006-0008-y text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1007/s10708-006-0008-y text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Lowenthal David Professor Emeritus, Department of Geography, University College London, 26 Bedford Way, London, WC1H OAP, UK aut NATIONALLICENCE 773 0- GeoJournal Kluwer Academic Publishers 65/1-2(2006-02-01), 3-15 0343-2521 65:1-2<3 2006 65 10708 Metadata rights reserved Springer special CC-BY-NC licence nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-springer