caa a22 4500 467898227 CHVBK 20180406152810.0 cr unu---uuuuu 170328e20060201xx s 000 0 eng 10.1007/s10708-006-7057-0 doi (NATIONALLICENCE)springer-10.1007/s10708-006-7057-0 McLeay Colin Department of Geography, Tourism, and Environmental Planning, University of Waikato, Hamilton, New Zealand aut Government regulation in the Australian popular music industry: The rhetoric of cultural protection, the reality of economic production [Elektronische Daten] [Colin McLeay] In the 1990s the artistic autonomy of the territorial subsidiaries of the major record companies increased. Local scale "cultural freedom” did not mitigate the role of national regulation, with the music industry remaining bound by regulation imposed by agencies representing nation-states. National-scale policy rhetoric highlighting the need for "cultural protection” focused attention away from an interest in the economics of popular music, a balance evident in policies of Australian federal governments. In seeking to increase the export potential of locally produced music, Australian governments have come to hold an important place in the political economy of contemporary Australian music. Springer, 2006 Australia nationallicence cultural policy nationallicence popular music nationallicence recording industry nationallicence GeoJournal Kluwer Academic Publishers 65/1-2(2006-02-01), 91-102 0343-2521 65:1-2<91 2006 65 10708 https://doi.org/10.1007/s10708-006-7057-0 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1007/s10708-006-7057-0 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- McLeay Colin Department of Geography, Tourism, and Environmental Planning, University of Waikato, Hamilton, New Zealand aut NATIONALLICENCE 773 0- GeoJournal Kluwer Academic Publishers 65/1-2(2006-02-01), 91-102 0343-2521 65:1-2<91 2006 65 10708 Metadata rights reserved Springer special CC-BY-NC licence nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-springer