caa a22 4500 475842960 CHVBK 20180406123905.0 cr unu---uuuuu 170329e20000101xx s 000 0 eng 10.1023/A:1007124114649 doi (NATIONALLICENCE)springer-10.1023/A:1007124114649 Flaker Aleksandar Filozofski fakultet, Sveučilišta u Zagreb, Ivana Lučića 3, HR-10000, Zagreb, Croatia aut Matoš an der Jahrhundertwende [Elektronische Daten] [Aleksandar Flaker] The Croatian essayist and poet Antun Gustav Matoš visited during his exile in Paris 1900 the World Exposition. He informed the Croatian reader about the different aspects and events and discussed the main trends in art of that time in a serial of essays: Impressions from the Paris Exhibition for a Zagreb newspaper. He was impressed by the globality of the event, evaluated the rising of hitherto "trivial" art in painting (posters by Toulouse-Lautrec, Alfons Mucha), dance (Loie Fuller), and (African) music, admired the new relationship between literature and journalism, emphasized the role of caricature in arts (Daumier) and literature. The new century opened also in his opinion new relations between art and work, art and industry. Kluwer Academic Publishers, 2000 Neohelicon Kluwer Academic Publishers 27/1(2000-01-01), 159-168 0324-4652 27:1<159 2000 27 11059 https://doi.org/10.1023/A:1007124114649 text/html Onlinezugriff via DOI 1 research-article jats NATIONALLICENCE 856 40 https://doi.org/10.1023/A:1007124114649 text/html Onlinezugriff via DOI NATIONALLICENCE 100 1- Flaker Aleksandar Filozofski fakultet, Sveučilišta u Zagreb, Ivana Lučića 3, HR-10000, Zagreb, Croatia aut NATIONALLICENCE 773 0- Neohelicon Kluwer Academic Publishers 27/1(2000-01-01), 159-168 0324-4652 27:1<159 2000 27 11059 Metadata rights reserved Springer special CC-BY-NC licence nationallicence BK010053 XK010053 XK010000 NATIONALLICENCE NATIONALLICENCE NL-springer