Making borders in modern East Asia
The Tumen River demarcation, 1881-1919
Gespeichert in:
Verfasser / Beitragende:
Nianshen Song, University of Maryland, Baltimore County
Ort, Verlag, Jahr:
[Cambridge, United Kingdom], New York, NY :
Cambridge University Press,
2018
Beschreibung:
xix, 303 pages : illustrations, maps ; 24 cm
Format:
Buch
Online Zugang:
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| 245 | 1 | 0 | |a Making borders in modern East Asia |b The Tumen River demarcation, 1881-1919 |c Nianshen Song, University of Maryland, Baltimore County |
| 264 | 1 | |a [Cambridge, United Kingdom] |a New York, NY |b Cambridge University Press |c 2018 | |
| 300 | |a xix, 303 pages |b illustrations, maps |c 24 cm | ||
| 504 | |a Includes bibliographical references (pages 273-291) and index | ||
| 505 | 0 | |a Introduction : a lost stele and a multivocal river -- Crossing the boundary : socioecology of the Tumen River region -- Dynastic geography : demarcation as rhetoric -- Making 'kando' : the mobility of a cross-border society -- Taming the frontier : statecraft and international law -- Boundary redefined : a multilayered competition -- People redefined : identity politics in Yanbian -- Conclusion : our land, our people -- Epilogue : Tumen River, the film | |
| 520 | 8 | |a "Making Borders in Modern East Asia Until the late nineteenth century, the Chinese-Korean Tumen River border was one of the oldest, and perhaps most stable, state boundaries in the world. Spurred by severe food scarcity following a succession of natural disasters, from the 1860s countless Korean refugees crossed the Tumen river border into Qing-China's Manchuria, triggering a decades-long territorial dispute between China, Korea, and Japan. This major new study of a multilateral and multiethnic frontier highlights the competing state- and nation-building projects in the fraught period that witnessed the Sino-Japanese war, the Russo-Japanese War, and the First World War. The power-plays over land and people simultaneously promoted China's frontier-building endeavours, motivated Korea's nationalist imagination, and stimulated Japan's colonialist enterprise, setting East Asia on an intricate trajectory from the late-imperial to a situation that, Song argues, we call modern"-- | |
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