Time in the history of art
temporality, chronology, and anachrony
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| 245 | 0 | 0 | |a Time in the history of art |b temporality, chronology, and anachrony |c edited by Dan Karlholm and Keith Moxey [with a contribution by Emmanuel Alloa] |
| 264 | 1 | |a New York |b Routledge, Taylor & Francis Group |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a ix, 253 pages |b illustrations |c 26 cm | ||
| 490 | 0 | |a Studies in art historiography | |
| 504 | |a Includes bibliographical references and index | ||
| 505 | 0 | 0 | |g Introduction: |t telling art's time / |g Part I. Historical time. |g 1. |t Is history to be closed, saved, or restarted? considering efficient art history / |g 2. |t What time is it in the history of art? / |g Part II. Post-colonial time. |g 3. |t Time processes in the history of the Asian modern / |g 4. |t Colonial modern: a clash of colonial and indigenous chronologies: the case of India / |g 5. |t Artists, amateurs, and the pleated time of Ottoman modernity / |g 6. |t The time of translation: Victor Burgin and Sedad Eldem in virtual conversation / |g Part III. Artist's time. |g 7. |t Arresting what would otherwise slip away: the waiting images of Jacob Vrel / |g 8. |t Twisted time: Fernando Bryce's art of history / |g Part IV. Narrative time. |g 9. |t Heterochronies: the gospel according to Caravaggio / |g Part V. Ontological time. |g 10. |t The phenomenal sublime: time, matter, image in Mesopotamian antiquity / |g 11. |t Resisting time: on how temporality shaped medieval choice of materials / |g 12. |t Sarah Sze's The Last Garden and the temporality of wonder / |g Part VI. Photographic time. |g 13. |t Showtime and exposure time: the contradictions of social photography and the critical role of sensitive plates for rethinking the temporality of artworks / |g 14. |t "Objects moving are not impressed": reading into the blur / |
| 520 | |a Addressed to students of the image--both art historians and students of visual studies--this book investigates the history and nature of time in a variety of different environments and media as well as the temporal potential of objects. Essays will analyze such topics as the disparities of power that privilege certain forms of temporality above others, the nature of temporal duration in different cultures, the time of materials, the creation of pictorial narrative, and the recognition of anachrony as a form of historical interpretation.--Publisher's description | ||
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