Toward a concrete utopia
architecture in Yugoslavia, 1948-1980
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| 245 | 0 | 0 | |a Toward a concrete utopia |b architecture in Yugoslavia, 1948-1980 |c Martino Stierli, Vladimir Kulić ; with a photographic portfolio by Valentin Jeck ; and essays by Tamara Bjažić Klarin [und 16 weiteren] |
| 264 | 1 | |a New York |b The Museum of Modern Art |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a xxxviii, 184 Seiten |b Illustrationen |c 31 cm | ||
| 500 | |a "Published in conjunction with the exhibition of the same name held at The Museum of Modern Art, New York, July 15, 2018-January 13, 2019" | ||
| 504 | |a Enthält bibliographische Angaben (177-178) und Index | ||
| 520 | 8 | |a Situated between the capitalist West and the socialist East, Yugoslavia's architects responded to contradictory demands and influences, developing a postwar architecture both in line with and distinct from the design approaches seen elsewhere in Europe and beyond. The architecture that emerged from International Style skyscrapers to Brutalist social condensers is a manifestation of the radical diversity, hybridity, and idealism that characterized the Yugoslav state itself. 'Toward a Concrete Utopia: Architecture in Yugoslavia, 1948-1980' introduces the exceptional work of socialist Yugoslavia's leading architects to an international audience for the first time, highlighting a significant yet thus-far understudied body of modernist architecture, whose forward-thinking contributions still resonate today.00Exhibition: The Museum of Modern Art, New York, USA (15.07.2018-13.01.2019) | |
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