The truth is always grey
a history of modernist painting
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| 020 | |a 978-1-5179-0045-8 |q pbk. | ||
| 020 | |a 978-1-5179-0044-1 |q hbk. | ||
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| 245 | 1 | 4 | |a The truth is always grey |b a history of modernist painting |c Frances Guerin |
| 264 | 1 | |a Minneapolis |b University of Minnesota Press |c [2018] | |
| 264 | 4 | |c © 2018 | |
| 300 | |a 339 Seiten, 16 ungezählte Seiten Tafeln |b Illustrationen | ||
| 504 | |a Includes bibliographical references (pages 287-323) and index | ||
| 505 | 0 | |a Introduction: The color grey -- What Is grey painting? : tracing a historical trajectory -- Visualizing modern life : photography's influence on nineteenth-century grey painting -- Grey abstraction : form and function in American postwar painting -- Beyond modernist abstraction : the social significance of grey painting -- Reinvention and perpetuation : the possibility of grey for Gerhard Richter -- Epilogue: The irresolution of grey. | |
| 520 | |a "Frances Guerin argues that painters select grey to respond to a key question of modernist art: What is painting? Presenting an impressive range of canonical paintings across centuries, this book is a treatise on color that allows us to see something entirely new in familiar paintings and encourages our appreciation for the innovation and dynamism of the color grey"-- | ||
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