Film noir prototypes
| LEADER | cam a22 4500 | ||
|---|---|---|---|
| 001 | 528788655 | ||
| 003 | CHVBK | ||
| 005 | 20200429054220.0 | ||
| 008 | 180103s2018 xxu b 000 0 eng | ||
| 020 | |a 978-1-4950-9274-9 |q (pbk.) | ||
| 020 | |a 1-4950-9274-7 | ||
| 035 | |a (VAUD)991021172775402852 | ||
| 035 | |a (EXLNZ-41BCULAUSA_NETWORK)991023496495502851 | ||
| 040 | |a DLC |d OCLCO |d OCLCF |d YDX |d RNV vdbcul | ||
| 050 | 0 | 0 | |a PN1995.9.F54 |b F565 2018 |
| 082 | 0 | 4 | |a 791.43/655 |2 23 |
| 084 | |a 791.43-312 |a BCUDci |2 CLASBCUD | ||
| 245 | 0 | 0 | |a Film noir prototypes |c edited by Alain Silver and James Ursini |
| 264 | 1 | |a Milwaukee, WI |b Applause Theatre & Cinema Books |c 2018 | |
| 300 | |a 350 p. |b ill. | ||
| 336 | |a text |b txt | ||
| 337 | |a unmediated |b n | ||
| 338 | |a volume |b nc | ||
| 500 | |a La p. de couv. porte comme sous-titre: Origins of the movement | ||
| 504 | |a Includes bibliographical references. | ||
| 505 | 0 | |a Introduction / Alain Silver -- German expressionism and film noir / Robert G. Porfirio -- Looking back-victorinoir: modern women and the fatal(e) progeny of Victorian representations / Julie Grossman -- Proto-noir motifs in Metropolis / Alain Silver -- Paleo-noir / Homer B. Pettey -- Film noir, American painting and photography: a question of influence? / Tom Ryall -- Proto-noir-Demille style / Alain Silver and James Ursini -- Proto-noir pictorialism in the 1930s films of John Ford / Alain Silver -- Universal horror and film noir-The mummy and The black cat / James Ursini -- Film noir graphics: origins / Alain Silver and James Ursini -- Hitchcock before noir: Hitchcock's gaumont British thrillers as film noir prototypes / Richard Edwards -- Noir revealed: Robert Florey and The face behind the mask / James V. D'Arc and Todd Erickson -- Crime and punishment-the mother of all noir / James Ursini -- The gangster in film noir / Alain Silver -- Some French films of the occupation: the silence of the noir / Tony Williams -- That sinking feeling: Cornell Woolrich and the uncanny noir mood / Marlisa Santos -- Women and film noir: Pulp fiction and the woman's picture / Julie Grossman -- "Rawness to romance": "gothic" thrillers as film noir prototypes from Alfred Hitchcock to Orson Welles / Sheri Chinen Biesen -- The rogue cop film: theft, adaptation, and prototypicality in Where the sidewalk ends / Robert Miklitsch -- The "House of death" in print and on-screen: double indemnity as journalism, fiction and film / Jesse Schlotterbeck -- The influence of "migr" film noir auteur: Fred Zinnemann's social realism and cultural critique in act of violence / Sheri Chinen Biesen. | |
| 650 | 7 | |a Films noirs |x Histoire et critique |2 ram | |
| 650 | 7 | |a Films noirs |x Origines |2 ram | |
| 700 | 1 | |a Silver |D Alain | |
| 700 | 1 | |a Ursini |D James | |
| 912 | 7 | |a s1ba |2 rnv | |
| 950 | |B VAUD |P 700 |E 1- |a Silver |D Alain | ||
| 950 | |B VAUD |P 700 |E 1- |a Ursini |D James | ||
| 900 | 7 | |a Metadata rights reserved |2 vaud | |
| 898 | |a BK020000 |b XK020000 |c XK020000 | ||
| 949 | |B VAUD |F bcud |b bcud |j USB 7779 791.43-312 |c 810010008 | ||