Adrian Piper

a synthesis of intuitions, 1965-2016

Verfasser / Beitragende:
Christophe Cherix, Cornelia Butler, David Platzker
Ort, Verlag, Jahr:
New York : Museum of Modern Art, 2018
Beschreibung:
349 p. : ill. ; 32 cm
Format:
Buch
ID: 528967827
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500 |a Catalogue de l'exposition Adrian Piper: a synthesis of intuitions, 1965-2016 au Museuum of Modern Art à New york, du 31 mars au 22 juillet 2018. L'exposition aura aussi lieu au Hammer Museum, Los Angeles, du 30 septembre 2018 au 6 janvier 2019, et à Haus der Kunst, Munich, du 12 avril au 22 septembre 2019 
504 |a Bibliogr.: p. [333] - 339 
505 0 0 |t Directors' foreword /  |t Artist's acknowledgments /  |t Curators' acknowledgments /  |t Who calls the tune? In and out of thr Humming Room /  |t Adrian Piper Unities /  |t Wake up and get down, Adrian Piper's direct address/  |t The real thing /  |t Plates --  |t Personal chronology / 
520 8 |a Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness ; the introduction of the Mythic Being - her subversive masculine alter-ego ; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender ; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations. Exhibition: Museum of Modern Art, New York, USA (31.3-22.7.2018) 
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