cam a22 4500 528967827 CHVBK 20201207064422.0 180926s2018 xxu||||| |||| 00 |eng d 1-63345-049-X 978-1-63345-049-3 http://catalogue.bnf.fr/ark:/12148/cb45546275r uri (RERO)R008784022 (VAUD)991021191297302852 (EXLNZ-41BCULAUSA_NETWORK)991023515736002851 ERASA eng RERO gevbaa N6490 N6537.P5 A4 2018 s1ba rero 700.411 7.071PIPER8 BCUDha CLASBCUD Cherix Christophe (RERO)A003100418 cre Adrian Piper a synthesis of intuitions, 1965-2016 Christophe Cherix, Cornelia Butler, David Platzker New York Museum of Modern Art 2018 349 p. ill. 32 cm Catalogue de l'exposition Adrian Piper: a synthesis of intuitions, 1965-2016 au Museuum of Modern Art à New york, du 31 mars au 22 juillet 2018. L'exposition aura aussi lieu au Hammer Museum, Los Angeles, du 30 septembre 2018 au 6 janvier 2019, et à Haus der Kunst, Munich, du 12 avril au 22 septembre 2019 Bibliogr.: p. [333] - 339 Directors' foreword / Artist's acknowledgments / Curators' acknowledgments / Who calls the tune? In and out of thr Humming Room / Adrian Piper Unities / Wake up and get down, Adrian Piper's direct address/ The real thing / Plates -- Personal chronology / Adrian Piper has consistently produced groundbreaking work that has profoundly shaped the form and content of conceptual art since the 1960s. Strongly inflected by her longstanding involvement with philosophy and yoga, her pioneering investigations into the political, social, psychological and spiritual potential of conceptual art have had an incalculable influence on artists working today. Published in conjunction with the most comprehensive exhibition of her work to date, this catalog presents more than 280 artworks that encompass the full range of Piper's mediums: works on paper, video, multimedia installation, performance, painting, sound and photo-texts. Essays by curators and scholars examine her extensive research into altered states of consciousness ; the introduction of the Mythic Being - her subversive masculine alter-ego ; her media and installation works from after 1980, which reveal and challenge stereotypes of race and gender ; and the global conditions that illuminate the significance of her art. Previously unpublished texts by the artist lay out significant events in her personal history and her deeply felt ideas about the relationship between viewer and art object. This publication expands our understanding of the conceptual and post-conceptual art movements and Piper's pivotal position among her peers and for later generations. Exhibition: Museum of Modern Art, New York, USA (31.3-22.7.2018) Piper, Adrian (IDREF)070300445 idref Piper, Adrian ram Catalogues d'exposition (RERO)A021004924 rero Catalogues d'exposition ram Platzker David (IDREF)187397732 Butler Cornelia H. (IDREF)083533400 Museum of Modern Art (New York, N.Y.) (IDREF)026549867 Armand Hammer Museum of Art and Cultural Center (IDREF)113671962 Haus der Kunst (München) (RERO)A003353510 BK020000 XK020000 XK020000 Metadata rights reserved rero Metadata rights reserved vaud s1ba rnv RERO RE61002 RE61002 RE610020004 BAA Q 784 BAA EA PIPER 2018 VAUD bcud bcud USC 2268 7.071PIPER8 810010005 RERO 100 1- Cherix Christophe (RERO)A003100418 cre RERO 700 1- Platzker David (IDREF)187397732 RERO 700 1- Butler Cornelia H. (IDREF)083533400 RERO 710 2- Museum of Modern Art (New York, N.Y.) (IDREF)026549867 RERO 710 2- Armand Hammer Museum of Art and Cultural Center (IDREF)113671962 RERO 710 2- Haus der Kunst (München) (RERO)A003353510 VAUD 700 1- Piper Adrian 1948- VAUD 700 1- Cherix Christophe VAUD 700 1- Butler Cornelia H. VAUD 700 1- Platzker David VAUD 710 2- Museum of Modern Art (New York, N.Y.)