A feminist companion to the posthumanities

Verfasser / Beitragende:
Cecilia Åsberg, Rosi Braidotti, editors
Ort, Verlag, Jahr:
Cham, Switzerland : Springer, 2018
Beschreibung:
x, 245 p. : ill.
Format:
Buch
ID: 528975005
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245 0 2 |a A feminist companion to the posthumanities  |c Cecilia Åsberg, Rosi Braidotti, editors 
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300 |a x, 245 p.  |b ill. 
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504 |a Includes bibliographical references. 
505 0 |a Feminist posthumanities: an introduction / Cecelia Åsberg and Rosi Braidotti -- Passionately posthuman: from feminist disidentifications to postdisciplinary posthumanities / Nina Lykke -- Posthuman sexuality: from ahumanity to cosmogenic desire / Patricia MacCormack -- Material feminism in the anthropocene / Stacy Alaimo -- Posthuman phenomenologies for planetary bodies of water / Astrida Neimanis -- Couch grass: ethics of the rhizome / Barbara Bolt -- Algorithmic tumult and the brilliance of Chelsea Manning / Matthew Fuller -- Embodying the posthuman subject: digital humanities and permeable material practice / Lissa Holloway-Attaway -- Sonic performance and feminist posthumanities: democracy of resonance and machinic sounds / Milla Tiainen -- Intersections: the animal question meets feminist theory / Lynda Birke and Tora Holmberg -- Archaeological posthumanities: feminist re-invention of science and material pasts / Christina Fredengren -- On preparations: engaging with inhuman materialities / Myra J. Hird -- Queer disability, postcolonial feminism and the monsters of evolution / Donna McCormack -- Re/membering the body / Margrit Shildrick -- "Let me show you": a caring ethnography of embodied knowledge in weaving and engineering / Tania Pérez-Bustos -- Anatomical assemblages: medical technologies, bodies and their entangled practices / Ericka Johnson -- Practising ambivalence: the feminist politics of engaging with technoscience / Celia Roberts -- The fabrication of a new materialisms researcher subjectivity / Hillevi Lenz Taguchi -- Posthumanist performativity: toward an understanding of how matter comes to matter / Karen Barad. 
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