cam a22 4 4500 530095882 CHVBK 20201216090202.0 181025s2018 xxu|||| |||| 00 0 eng| 2017032611 978-0-262-03767-9 hardcover (IDSBB)006802063 (NEBIS)011116751 (VAUD)991021188458602852 (OCoLC)1002293480 (EXLNZ-41BCULAUSA_NETWORK)991023512380002851 DLC ger DLC OCLCO OCLCF MYG YDX WLU OCLCO OCLCQ NYP SzZuIDS BS/BE A301 rda PN1992.3.U5 L685 2018 PN1990-1997 300 15 302.2 15 070 15 004 15 384.55/32 23 790 15 791 15 316.77.3 BCUDsm CLASBCUD Lotz Amanda D. 1974- (DE-588)1030577498 Verfasser aut We now disrupt this broadcast how cable transformed television and the internet revolutionized it all Amanda D. Lotz ; foreword by John Landgraf Cambridge, Massachusetts The MIT Press [2018] xviii, 256 Seiten Diagramme 24 cm Includes bibliographical references and index Cable television channels were once the backwater of American television, programming recent and not-so-recent movies and reruns of network shows. Then came La Femme Nikita, OZ, The Sopranos, Mad Men, Game of Thrones, and The Walking Dead. And then, just as "prestige cable" became a category, came House of Cards and Netflix, Hulu, Amazon Video, and other Internet distributors of television content. What happened? In We Now Disrupt This Broadcast, Amanda Lotz chronicles the collision of new technologies, changing business strategies, and innovative storytelling that produced an era termed "peak TV." Lotz explains that changes in the business of television expanded the creative possibilities of television. She describes the costly infrastructure rebuilding undertaken by cable service providers in the late 1990s and the struggles of cable channels to produce (and pay for) original, scripted programming in order to stand out from the competition. These new programs defied television conventions and made viewers adjust their expectations of what television could be. Le Femme Nikita offered cable's first antihero, Mad Men cost more than advertisers paid, The Walking Dead became the first mass cable hit, and Game of Thrones was the first global television blockbuster. Internet streaming didn't kill cable, Lotz tells us. Rather, it revolutionized how we watch television. Cable and network television quickly established their own streaming portals. Meanwhile, cable service providers had quietly transformed themselves into Internet providers, able to profit from both prestige cable and streaming services. Far from being dead, television continues to transform. Cable television fast Internet television fast Television broadcasting fast Television broadcasting Technological innovations fast Television Technological innovations fast Fernsehen (DE-588)4016825-6 gnd Internet-TV (DE-588)7608126-6 gnd Kabelfernsehen (DE-588)4029109-1 gnd Television broadcasting United States Cable television United States Television Technological innovations Television broadcasting Technological innovations Internet television United States United States fast USA (DE-588)4078704-7 gnd Landgraf John Verfasser eines Vorworts wpr BK020000 XK020000 XK020000 Metadata rights reserved vaud Stoppsignal FRED nebis DS zbzmon201805f fran zbzswk201806b tschu idszbz Z2 s1ss rnv VAUD bcud bcud USA 53225 316.77.3 810010031 NEBIS Z01 Z01 02 2018 A 26512 IDSBB B400 B400 400H5 BeM RFA 87136 NELB4001809 IDSBB A301 A301 301EI SL G LOTZ.3 IDSBB 100 1- Lotz Amanda D. 1974- (DE-588)1030577498 Verfasser aut IDSBB 700 1- Landgraf John Verfasser eines Vorworts wpr NEBIS 100 1- Lotz Amanda D. 1974- (DE-588)1030577498 Verfasser aut VAUD 100 1- Lotz Amanda D. aut NEBIS ZAD50 EBI01 Z01 https://opac.nebis.ch/objects/pdf03/z01_978-0-262-03767-9_01.pdf Titelblatt und Inhaltsverzeichnis VIEW pdf IDSBB DSV51 DSV01 B400 http://www.ub.unibas.ch/tox/IDSBB/006802063/PDF pdf VIEW Inhaltsverzeichnis