<?xml version="1.0" encoding="UTF-8"?>
<collection xmlns="http://www.loc.gov/MARC21/slim">
 <record>
  <leader>     cad a22        4500</leader>
  <controlfield tag="001">551327928</controlfield>
  <controlfield tag="005">20181214040321.0</controlfield>
  <controlfield tag="007">cr unu---uuuuu</controlfield>
  <controlfield tag="008">181213e20170816xx      s     000 0 eng  </controlfield>
  <datafield tag="024" ind1="7" ind2="0">
   <subfield code="a">10.5167/uzh-159544</subfield>
   <subfield code="2">doi</subfield>
  </datafield>
  <datafield tag="024" ind1="7" ind2="0">
   <subfield code="a">10.13109/jaju.2017.8.2.208</subfield>
   <subfield code="2">doi</subfield>
  </datafield>
  <datafield tag="035" ind1=" " ind2=" ">
   <subfield code="a">(ZORA)oai:www.zora.uzh.ch:159544</subfield>
  </datafield>
  <datafield tag="084" ind1=" " ind2=" ">
   <subfield code="a">230</subfield>
   <subfield code="2">ddc</subfield>
  </datafield>
  <datafield tag="100" ind1="1" ind2=" ">
   <subfield code="a">Hopf</subfield>
   <subfield code="D">Matthias Rüdiger</subfield>
  </datafield>
  <datafield tag="245" ind1="1" ind2="4">
   <subfield code="a">The Song of Songs as a Hebrew &quot;counterweight” to Hellenistic drama</subfield>
   <subfield code="h">[Elektronische Daten]</subfield>
   <subfield code="c">[Matthias Rüdiger Hopf]</subfield>
  </datafield>
  <datafield tag="506" ind1=" " ind2=" ">
   <subfield code="a">openAccess</subfield>
   <subfield code="2">eu-repo</subfield>
  </datafield>
  <datafield tag="520" ind1="3" ind2=" ">
   <subfield code="a">In recent exegesis, the Song of Songs has commonly been held not to be dramatic  at  all.  This  view  stands  in  line  with  the  notion that  there  is  no  drama in the Hebrew Bible. However, the concept of &quot;drama” in literary and performance studies has evolved considerably in the past decades. As a consequence, the key question must be asked again: How can we identify a text as dramatic or  oriented  towards  performance?  To  answer  this,  a  threefold  criteriology taken from contemporary literary studies is presented: Lexis, Opsis and Plot. These  useful  and  rather  universal  criteria  lead  to  a  differentiated  look  at  the &quot;performance  potential”  of  the  book  -  and  to  the  conclusion  that  the  Song basically matches this criteriology. Furthermore, various clues are given that the book was indeed performed, at least from the Hellenistic period onward, to which the final redaction should be dated. As the collection of the biblical Writings needs to be understood against the background of a struggle with the predominant Alexandrian culture, the Song might represent a piece of Jewish dramatic  or  performance  literature,  or  in  other  words,  a  Hebrew  &quot;counterweight” to Hellenistic drama in the Jewish literary canon of the Writings.</subfield>
  </datafield>
  <datafield tag="690" ind1=" " ind2="7">
   <subfield code="a">Institute of Theology</subfield>
   <subfield code="2">zora</subfield>
  </datafield>
  <datafield tag="773" ind1="0" ind2=" ">
   <subfield code="t">Journal of Ancient Judaism</subfield>
   <subfield code="g">8(2):208-221</subfield>
  </datafield>
  <datafield tag="856" ind1="4" ind2="0">
   <subfield code="u">https://www.zora.uzh.ch/id/eprint/159544/1/Hopf-Counterweight_%28ZORA%29.pdf</subfield>
   <subfield code="q">text/html</subfield>
   <subfield code="z">WWW-Backlink auf das Repository</subfield>
  </datafield>
  <datafield tag="908" ind1=" " ind2=" ">
   <subfield code="D">1</subfield>
   <subfield code="a">Journal Article</subfield>
   <subfield code="z">PeerReviewed</subfield>
   <subfield code="2">zora</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">ZORA</subfield>
   <subfield code="P">856</subfield>
   <subfield code="E">40</subfield>
   <subfield code="u">https://www.zora.uzh.ch/id/eprint/159544/1/Hopf-Counterweight_%28ZORA%29.pdf</subfield>
   <subfield code="q">text/html</subfield>
   <subfield code="z">WWW-Backlink auf das Repository</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">ZORA</subfield>
   <subfield code="P">100</subfield>
   <subfield code="E">1-</subfield>
   <subfield code="a">Hopf</subfield>
   <subfield code="D">Matthias Rüdiger</subfield>
  </datafield>
  <datafield tag="950" ind1=" " ind2=" ">
   <subfield code="B">ZORA</subfield>
   <subfield code="P">773</subfield>
   <subfield code="E">0-</subfield>
   <subfield code="t">Journal of Ancient Judaism</subfield>
   <subfield code="g">8(2):208-221</subfield>
  </datafield>
  <datafield tag="898" ind1=" " ind2=" ">
   <subfield code="a">BK010053</subfield>
   <subfield code="b">XK010053</subfield>
   <subfield code="c">XK010000</subfield>
  </datafield>
  <datafield tag="949" ind1=" " ind2=" ">
   <subfield code="B">ZORA</subfield>
   <subfield code="F">ZORA</subfield>
   <subfield code="b">ZORA</subfield>
   <subfield code="j">Journal Article</subfield>
   <subfield code="c">openAccess</subfield>
  </datafield>
 </record>
</collection>
