cam a22 7 4500 551372443 CHVBK 20201014103019.0 m d cr |n |||||||| 151013s2015 nyua sb 001 0 eng d 2015451262 978-0-231-17450-3 (cloth) 0-231-17450-0 (cloth) 978-0-231-17451-0 (pbk.) 0-231-17451-9 (pbk.) 978-0-231-85080-3 (ebook) 978-0-231-85050-3 (SERSOL)ssj0001537825 (WaSeSS)ssj0001537825 ERASA eng ERASA YDXCP OCLCO ZCU EAU GSE VGM NLGGC NDD OCLCF DLC WaSeSS rda N72.M6 E49 2015 791 Elwes Catherine 1952- Installation and the moving image Catherine Elwes New York Columbia University Press 2015 1 online resource (x, 304 pages) illustrations text txt rdacontent/eng computer c rdamedia/eng online resource cr rdacarrier/eng Includes bibliographical references and index. Architecture -- Painting -- Performance -- Film history -- Film as film -- Structural film : detractions and revisions -- The dialectics of spectatorship -- Expanded cinema -- Sound -- Video installation -- Closing thoughts. Lizenzbedingungen können den Zugang einschränken. License restrictions may limit access. "Film and video create an illusory world, a reality elsewhere, and a material presence that both dramatizes and demystifies the magic trick of moving pictures. Beginning in the 1960s, artists have explored filmic and televisual phenomena in the controlled environments of galleries and museums, drawing on multiple antecedents in cinema, television, and the visual arts. This volume traces the lineage of moving-image installation through architecture, painting, sculpture, performance, expanded cinema, film history, and countercultural film and video from the 1960s, 1970s, and 1980s. Sound is given due attention, along with the shift to digital, issues of spectatorship, and the insights of cognitive science. Woven into this genealogy is a discussion of the procedural, political, theoretical, and ideological positions espoused by artists from the mid-twentieth century to the present. Historical constructs such as Peter Gidal's structural materialism, Maya Deren's notion of vertical and horizontal time, and identity politics are reconsidered in a contemporary context and intersect with thinking on representation, subjectivity, and installation art.0The book is written by a critic, curator, and practitioner who was a pioneer of British video and feminist art politics in the late 1970s. She writes engagingly of her encounters with works by Anthony McCall, Gillian Wearing, David Hall, and Janet Cardiff, and her narrative is informed by exchanges with other practitioners. While the book addresses the key formal, theoretical, and historical parameters of moving-image installation, it ends with a question: "What's in it for the artist?" " --Publisher's website. Video art Installations (Art) Installations (Art) (OCoLC)fst00974250 fast Video art (OCoLC)fst01166389 fast https://www.degruyter.com/openurl?genre=book&isbn=9780231850803 Uni Basel: Volltext https://ebookcentral.proquest.com/lib/unibern/detail.action?docID=1922326 Uni Bern: Volltext https://www.degruyter.com/openurl?genre=book&isbn=9780231850803 Uni Bern: Volltext BK020053 XK020053 XK020000 De Gruyter PDA SSH eBooks De Gruyter PDA STM eBooks E-Books von 360MarcUpdates Ebook Central All Subscribed Titles PDA Package: All eBook Content, incl. OWV/AV PDA5EBK IDSBB A145 A145 145VT IDSBB B405 B405 405VT NELB4052004 IDSBB B405 B405 405VT NELB4052004 IDSBB 100 1- Elwes Catherine 1952- IDSBB 856 40 https://www.degruyter.com/openurl?genre=book&isbn=9780231850803 Uni Basel: Volltext IDSBB 856 40 https://ebookcentral.proquest.com/lib/unibern/detail.action?docID=1922326 Uni Bern: Volltext IDSBB 856 40 https://www.degruyter.com/openurl?genre=book&isbn=9780231850803 Uni Bern: Volltext SWISSBIB 337745420